In Chantal Akerman’s previous short film La Chambre she experimented with big ideas on the nature of cinema and what…
The Home Page of Film Critic Willow Catelyn Maclay
In Chantal Akerman’s previous short film La Chambre she experimented with big ideas on the nature of cinema and what…
A ragged apartment is explored by a cinematic eye as a camera turns 360 degrees to explore every corner of…
“Saute Ma Ville is the mirror image of Jeanne Dielman”–Chantal Akerman In Jeanne Dielman there is a woman who lives…
In an older review I posted this year for Takashi Miike’s “Fudoh: The New Generation” I stated that if there…
As a 16 year old not-out-yet trans girl I had little reason to leave the confines of my bedroom. I…
*Analysis of a scene will be a feature on Curtsies and Hand Grenades where I take a look at specific…
An apocalyptic pall hangs over an unnamed land and one girl lurches forward in the shadows. Her spaghetti hair is…
The two images above offer a snapshot of the stylistic differences one can come to expect from Xavier Dolan’s attempt…
I’m excited. A final still frame of Elisabeth Moss trapped in laughter gives way to credits and I feel disheveled,…
I cannot speak objectively with movies about dance. There is no greater sense of joy than the intersection of music,…